#2. Kaitlin Foley at Rockefeller Memorial Chapel on March 20th. Sometimes the stars are in perfect alignment and a performance comes together—the space is perfectly lit, the singer is in top form, the collaborators and conductor are in lock step, the audience understands the specialness of the moment and doesn't dare make a noise—so that you feel like you are hearing a familiar piece for the first time. And when that piece is "Zerfliesse, mein Herze" your faith in humanity is renewed. Soprano Kaitlin Foley’s performance of this aria was all the more amazing considering that she and her colleagues were presenting Bach’s St. John Passion with one singer per part. Foley has emerged as one of the truly great musicians of this city.
When Simone Browne told her friends and family she had decided to give the carillon a try, they were puzzled. The second-year had stumbled across a Facebook post offering carillon lessons taught by members of the University of Chicago Guild of Carillonneurs at Rockefeller Chapel, and opted to give it a shot, intrigued by the fact that few knew what a carillon was, let alone how to play the instrument.
Randy Weston: 11 p.m., Rockefeller Memorial Chapel. 90 apparently is the new 70, judging by nonagenarian pianist Weston's expansive performance. Playing solo in cavernous Rockefeller Memorial Chapel, Weston offers a freewheeling lecture-recital intertwining his philosophies on the origin of music with his larger-than-life pianism.
“Concrete Traffic” was initially conceived for a two-person show in 1970 at the Museum of Contemporary Art. True to its form, it was on display in a public parking lot at the corner of East Ontario and St. Clair streets (the current site of The Arts Club) for several months, accumulating a fair share of parking tickets, or so the story goes. (The MCA insists that its parking was paid for by the institution for the entire run of the exhibition, but sources at the University of Chicago say otherwise.) The still-young institution was not yet building a permanent collection, so the MCA knew the artwork had to find a more permanent home. The artist and the museum agreed to gift the item to the University of Chicago.
This interview was conducted at Rockefeller Memorial Chapel, in the playing cabin at the top of the bell tower. It took place on September 30, 2015, the day before Mr. Crawford retired. Topics include: Mr. Crawford's background and career, the history of bell towers and carillon playing, and the carillon at Rockefeller Memorial Chapel in Hyde Park, Chicago. Mr. Crawford is currently the President of the World Carillon Federation.
When four female singers gathered in New York in 1986 for informal readings of a cappella Medieval chant, little could they have envisioned a three-decade career brimming with countless performances around the globe and 20 recordings with 20 million copies sold.
An impressively large crowd gathered to hear Anonymous 4 Sunday in Hyde Park, grateful to be chosen as the locale for their last local touring date, in the University of Chicago Presents series.
No doubt many of their devoted fans in the gargantuan Rockefeller Chapel hoped that the quartet would reconsider its decision to disband. But with other projects in the pipeline for each member, it appears that the end has indeed come, even if a similar and ultimately premature pronouncement was made in 2004. If the near-perfection of their vocal purity has frayed a bit since their early days, they easily held listeners in rapt attention throughout the 70-minute program.
In 1932, John D. Rockefeller gifted a 72-bell, 100-ton bronze carillon to the University of Chicago. In 2015, the University Carillonneur performed Drake’s Hotline Bling at lunchtime on a Friday. To reach the carillon, we climbed 271 steps to the top of the tower. In the immortal words of Drizzy, “Started from the bottom, now we here.” You have to see this [see the article for the awesome pictures!]