Kate Pukinskis loves to sing in choirs, to be on stage with others enveloped by the “crazy, loud sounds” of Beethoven’s Ninth or Verdi’s Requiem. “Choral music comes very naturally to me,” said Pukinskis, a doctoral student in composition in the Department of Music who has sung in professional choirs since she was a child.
“There is great joy in making music with other people—and it’s such a cool thing to use your voice as your instrument and feel it resonate inside your body.”
Amid winter’s darkness, an art installation multiplied the colors in Rockefeller Chapel.
The grayest months of a stubborn winter found Rockefeller Memorial Chapel in full bloom. In artist Libby Chaney’s evocative fabric installation Seasons, which hung in the east transept gallery and on the chapel’s lower level from January to early March, hundreds of cloth scraps were sewn into scenes of summer, fall, winter, and spring, rich with color—and, the closer one got, with pattern and texture too.
As an early February blizzard blew, Rockefeller Memorial Chapel’s Candlemas service fed the spirit and the senses.
Seasons is the title of artist Libby Chaney’s fabric installation that currently graces Rockefeller Memorial Chapel (it will be up through March 3). So it was fitting that on February 1, the morning Chaney delivered the sermon at the chapel’s Sunday service, Chicago was in the middle of the fifth-biggest blizzard in its history.
When Chelsie Coren stepped inside Rockefeller Memorial Chapel on an autumn day in 2012, she heard the majestic thunder of the chapel’s E.M. Skinner organ echoing through the high-domed space.
“It seemed like all the stops were pulled out; the entire building just shook,” recalls Coren, then a high school senior visiting campus as a prospective student. “I knew right away that I had to learn to play that organ.”
An accomplished pianist and clarinetist, Coren says she spent the rest of her senior year in suburban Wheeling, Ill., dreaming about finding someone to teach her.
On Friday November 21, 2014, 7:30 pm, Rockefeller Memorial Chapel launches the fourth season of its signature Quire & Place concert series with seventeenth century Heinrich Schütz’s charming Christmas drama Weihnachtshistorie and his Deutsches Magnificat alongside contemporary composer Kile Smith’s spectacular Vespers, written for Renaissance band Piffaro.
The Pomona College Glee Club from Claremont, California comes to Chicago to present a free concert of classical music as part of their 2014 Midwest tour. Under the direction of Donna M. Di Grazia, the choir will perform at the University of Chicago’s Rockefeller Memorial Chapel, on Saturday May 24, 2014 at 7:30 p.m.
Haydn’s The Seven Last Words of Christ on the Cross is a luminous, compact jewel, a deeply felt, subtly colored contemplation of Christ’s crucifixion that lasts less than an hour.
Wednesday night two gifted ensembles—the Florida-based a cappella chorus Seraphic Fire and Chicago’s own Spektral Quartet—combined forces for an unusual and potent version of Haydn’s work at Rockefeller Chapel in the University of Chicago Presents series.
Rockefeller Chapel welcomes Minnesota gem VocalEssence at the next Quire & Place concert, Sunday, March 2 at 3 pm. The performance will feature a collection of American and Mexican choral music of the kind championed by VocalEssence, including the première performance of Timothy Takach’s new work To Love, To Be Swallowed Up. Takach’s work is receiving broad notice for its strong melodic lines and intriguing harmonies.
A bit of live concert serendipity intruded on the Tallis Scholars concert Friday night at Rockefeller Chapel when screaming police sirens en route to a crime scene forced director Peter Phillips to stop his singers after the first bar of a setting of Nunc dimittis (“Lord, now let thy servant depart in peace.”).
Happily, there were no other interruptions and the venerable early music ensemble continued with its discerning and tasteful program of seasonal sacred music. The event was presented by the University of Chicago Concert series and played to a surprisingly full house in the vast space.
Compared to the performance of Bach’s epic St. Matthew Passion that drew a thousand people to a Lincoln Park church in April, the second event offered in Chicago by Soli Deo Gloria was a relatively intimate affair.
The Glen Ellyn-based organization presented the premiere of James MacMillan’s new choral work, Alpha and Omega Saturday afternoon at Rockefeller Chapel. The Soli Deo Gloria commission was heard as part of the annual “Best of Rockefeller” concerts, presented in collaboration with Crossway publications and the University of Chicago.